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Alex Garland, writer of one of my favorite films, 28 Days Later. I wanted to see this movie. Biologist Lena (Natalie Portman) wanders through a mysterious wall of light searching for answers about her identity and what she did to her husband, Kane (Oscar Isaac). You can check the mkvmad and search for your favorite movies of all time. Go and explore the ocean of entertainment on the website. Many very strange things happen, which seem to be explained by the image of a multiplying cage and the general idea of an upside-down biologyAlex Garland, författare fino an en av mina favoritfilmer, 28 Days Later.

Growing cage image and the general idea

I wanted to see this movie. Biologist Lena (Natalie Portman) wanders through a mysterious wall of light, searching for answers about who she is and what she has done to her husband Kane (Oscar Isaac). Lots of very strange things happen that seem to be explained by the image of a multiplying cage and the general idea of disturbed biology in The Shining. Eventually, she knows pretty much what happened to her husband, thanks to the videos she took in there, and even retrieves them, but overall the mystery is little more than a roller coaster ride with occasionally disturbing or terrifying frustration. On a basic level, I don't mind. I don't mind that the film doesn't explain itself or that it uses the "this unexplained thing makes unexplained things happen" explanation. I liked it earlier this year when it was used in The Cloverfield Paradox.

The feeling was worse than the ad

The two films were considered opposites, but from my perspective - from the couch at home - they look strikingly similar. Annihilation was very similar to the Netflix movie, for better or worse. Bad in the sense that it was worse than advertised and good in the sense that it was an original and well-made film. It had a well-developed pace, a slow build-up of suspense, and a solid understanding of how to create a quality moment. Of course, each of these would be spoiled later on. Sometimes proactively through flashbacks to interrogation scenes. As if apocalypse scenes exist because the audience can't understand the visual narrative. The dialogue is a repetition of what they've already seen, but it's simplified so that everything seems prosaic.

The film depicts life in detail

But the awkward moments work well on their own. Aside from the soft, blinding white light, the cinematography is thoughtful and in keeping with the style, and the music is sometimes hypnotic. Above all, the film shows life in detail. Of course, the overly revealing trailer spoiled many moments, such as the return of the bear. Though Shepard's voice is still a wonderfully creepy element. Also of note: the Last of Us guy carved into the wall as a cliffhanger, the wooden characters, Kane's tattoo of the bear and rose, the tattoo on Lena's arm that also appears on Anya and the Last of Us guy, and the final scene was unusual, to say the least. Things like tattoos are just little things. Others, like Chuvek and trees, are explained in a way that removes all admiration but never satisfies curiosity.

The film was touted as a new interstellar film

"Everything is crazy." Nice, good idea, but it's not an explanation, just a description of the effect. Why? How? Is it good or bad? Why should we care? Scientific terms are used, but they are not difficult to understand. The film was advertised as a new Interstellar movie and promised great science fiction. It spends half the time commenting but never gets past the main idea. I can't think of the same thing twice, no matter how many times it's filmed. And it's a lot of potentially weird stuff that has to be explained over and over again in the same incomprehensible way. The film also fails as a horror film for the same reason: the lack of hype and research means that the potentially disturbing elements are just weird, so scary things like the bear remain temporary external threats. e dans Shining.

The mystery is sometimes a little more than a roller coaster ride

In the end, she pretty much knows what happened to her husband, thanks to the videos she made inside, and retrieves them, but overall, the mystery is little more than a roller coaster ride of occasionally horrifying frustration. From a fundamental standpoint, I don't mind. I'm perfectly fine with the fact that the film doesn't explain itself, nor does it use the "this unexplained thing makes unexplained things happen" explanation. I liked it earlier this year when it was used in The Cloverfield Paradox. The two films were considered opposites, but from my perspective - from the couch at home - they look strikingly similar. Annihilation was very similar to the Netflix movie, for better or worse. Bad in the sense that it was worse than advertised and good in the sense that it was an original and well-made film.

The characters speak empathetically about it

It had a well-developed pace, a slow build-up of tension, and a solid understanding of It is not clear whether he perceived this stranger as a threat or not. The characters talk about it sympathetically, but his motive is to cause death, and the film ends with Lena tricking him into blowing himself up rather than blowing himself up for her sake. Shimmer is still present in Lena and Kane, so he is probably still alive. But if he's a symbol of self-destruction, isn't that a bad thing? "It wasn't destructive. It was about creating something new." What did they do?" "I don't know" This exchange sums it all up. We should be thinking positively, but we are not given a reason to do so. It's not even ambiguous enough to prompt interpretation. It seems to contradict the film's theme of self-destruction and replication. The theme of cancer is also confused.

The supporting cast only developed one or two characters

The film merely points out the details that lead to a meaningless theme. This is all very nice and interesting, but at some point, I need something satisfying and concrete. As for the drama, it is strange and very difficult. I liked what the actors did to give personality to their characters, but the supporting cast only got a line or two of character development, which didn't do much for them. You can check the bollyfun and search for your favorite movies of all time. Go and explore the ocean of entertainment on the website. I liked Shepard's calm, matter-of-fact demeanor. And I missed the clear thematic discourse on all the cancers mentioned. Oscar Isaac and Natalie Portman have great chemistry. So good that I thought there was too much cheating.

Strange and mysterious behind the hidden

We're introduced to the idea that self-destruction is inevitable because it's built into our DNA, but I think the ending is meant to express the opposite. My biggest complaint with Annihilation is that I found myself repeatedly searching for answers to the strangeness and mystery behind the hidden intelligence that the film promised. I was ready to question my mind but found nothing in it that I could make sense of. Everything is a beautiful shell that loses its charm when it is revealed.