Dailyblogspot | What we do next

 In today's film industry, the structure used by mainstream productions requires independent films to follow the same formula. Dailyblogspot is an online platform striving to provide you with the best content about current affairs, sports, business, and everything you want.

So we've done something that no film has managed to do before. We changed the format of a genre that we confidently expected, but we stuck to it without hesitation. Writer and director Steven Burber were careful not to confuse his story with anything else. It's not just a film about justice. It's also a film about how an ordinary act can become a success when taken to the extreme.

The most obvious quality that allows for a different experience of what we do next is not trying to be someone else.

The film consists of seven scenes that unfold like a stage play. There are only seven possible characters that do not follow a set plan. They are invisible creations and we are forced to watch them solve problems we don't understand. Barber makes all seven perform on stage. No detail is lost in the search for excuses for the characters' questionable behaviour.

We know very little about what is going on. The action opens with a simple clue. Sandy tells Elsie that he protected her from her father's abuse. He has gone too far. Years later, when Elsie is released from prison for her father's murder, Sandy wonders if the past haunts her even now that she has entered politics.

But that's all this dramatic thriller contains. This look at simple words that end with the question, "What's next?" makes the criminal law advice even timelier. Think about what you may have said before. Think back to the last movie that made you do it.

What's next is a summary of the film series in the form of scenes that show how characters rise (or fall) in a sea of potentially deadly nuance entangled in the world of politics. However, as the protagonist points out in the final scene, there are times in life when you can't control anything, and what you thought was important becomes an unrecognizable blur.

Karen Pittman plays Sandy James, a career politician who is somewhat inscrutable. Pittman follows the directions on the page and, as an above-average actress, she controls every aspect of the script. The main picture of What We Do Next unfolds in seven stages, each of which requires a different perspective. The actor relates to each phase, though it requires a certain maturity and even confidence. His expressions are strong at each stage of his development. In this 77-minute film, Sandy James is believable from start to finish.

Then there's Michelle Veintimilla as Elsana, the time bomb that explodes. Trauma and its aftermath form the backbone of the film and allow important questions to be asked. Veintimilla turns every scene into a dramatic opportunity to talk about realism, something Elsa doesn't always manage to do. Elsa's story is not the story of millions of women going through similar experiences. Veintimilla is powerful enough to make us believe it really happened.

Corey Stoll manages to balance both roles and play the part of the defender we're supposed to follow in the face of inevitable failure. He proves once again why acting is his best role. His supporting role is the most relatable to the audience. In a situation of moral decay, this character's presence is crucial, and if he doesn't regain control soon, the situation will only get worse.

What an interesting word. Control. Sandy and her lawyer Paul seem like the perfect people to take control of the situation. But what we're about to hear is a story about deciding what to do. Maybe so, but in this case, you have to watch what you say.